When to Ignore Critics

So, lately I’ve been think­ing about the careers of some cin­e­matic giants. Con­sider Woody Allen and M. Night Shya­malan. Here are two writer/directors who pro­duce a new movie very reguarly. You can tell that these are dis­ci­plined writ­ers who make their cre­ativ­ity a priority.

Now, it is also true that some­times the efforts of these direc­tors are not much appre­ci­ated by the critics!

In con­trast, have a look at the career of Quentin Taran­tino. Since he struck it big with “Pulp Fic­tion” (1994), his out­put has been min­i­mal. He has done some tele­vi­sion work, some­times as an actor, but you have a sense that he must be a blocked writer some­how. Fran­cis Ford Cop­pola was never able to over­come the tow­er­ing heights of “The God­fa­ther” movies. Yet, Mar­tin Scors­ese has man­aged to make a very inter­est­ing movie every few years.

What’s going on here?

I guess that’s the dan­ger of hav­ing some big suc­cess with a project — “Pulp Fic­tion” in Tarantino’s case, “The Sixth Sense” in Shyamalan’s case. How do you top it?

The answer, of course, is to keep cre­at­ing. Try not to worry about what the crit­ics will say. (And espe­cially, try to avoid your own inter­nal critic!) Don’t worry about top­ping your­self; keep your dis­ci­pline and keep work­ing. After all, Woody Allen and M. Night Shya­malan and Mar­tin Scors­ese will always be able to look back on a larger body of work than, say, Tarantino.

So I encour­age you, as com­posers, to have a large body of work. Besides, unlike movie mak­ers, you don’t need to raise sev­eral mil­lion dol­lars to get your art out there!

About Richard D. Russell

This was written by Richard D. Russell, New York City based composer of fine music.